{"id":111,"date":"2018-07-06T12:59:21","date_gmt":"2018-07-06T12:59:21","guid":{"rendered":"http:\/\/nannalysholthansen.com\/?page_id=111"},"modified":"2026-01-02T11:52:38","modified_gmt":"2026-01-02T11:52:38","slug":"text-2","status":"publish","type":"page","link":"https:\/\/nannalysholthansen.com\/?page_id=111","title":{"rendered":"about"},"content":{"rendered":"\n

<\/p>\n\n\n\n

\"\"
Nanna Lysholt Hansen, Dura Mater, 2016-2018 , (opslag fra bogen Nanna Lysholt Hansen \u2013 Dura Mater, RSS Press, 2025)<\/em><\/figcaption><\/figure>\n\n\n\n

Karin Hald, Ber\u00f8rt energi \u2013 Dura Mater af Nanna Lysholt Hansen, bastard<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"
Syv kunstv\u00e6rker p\u00e5 Roskilde Festival, som ikke har noget med musikken at g\u00f8re<\/a> (bobedre.dk)2022<\/figcaption><\/figure>\n\n\n\n
\"\"
Kunsten inviterer os til at turde lidt mere (bkf.dk)<\/a> Af Miriam Katz, Billedkunstneren #4 2022<\/a><\/figcaption><\/figure>\n\n\n\n
\"\"
“On Nanna Lysholt Hansen’s Dear Daughter” in Maternal Performance. Feminist Relations\u00b4\u00b4. Co-authored by Lena Simic and Emily Underwood-Lee, Palgrave Macmillan, 2021, ISBN 978-3-030-80225-7<\/figcaption><\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"
“Dear Daughter\/Anatomy of the Chthulucene (O’ Connell Oh Oh Haraway)” is included in this beautiful new book about Danish Art in the New Millennium. Ber\u00f8rt \u2013 Om dansk kunst i det nye \u00e5rtusinde, Maria Kj\u00e6r Themsen, Strandberg Publishing, <\/a>2020<\/figcaption><\/figure>\n\n\n\n
\n
\"\"<\/figure>\n
Dear Daughter\/Anatomy of the Chthulucene featured in “Vocalizing Dystopian and Utopian Impulses” by Stina Hasse J\u00f8rgensen in The Bloomsbury Handbook of Sound Art, edited by Sanne Krogh Groth and Holger Schulze, Bloomsbury Publishing, February 2020<\/figcaption><\/figure>\n\n\n\n
\"\"
Press release Nanna Lysholt Hansen – Mother Mould, Astrid Noack’s Atelier, Copenhagen, September 2020 www.idoart.dk<\/a><\/figcaption><\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

‘Performance and the Maternal’ , interview with Nanna Lysholt Hansen, 10 June 2020, by Dr Lena \u0160imi\u0107, https:\/\/performanceandthematernal.com\/ <\/a><\/p>\n\n\n

\"\"
‘Stemmernes politik i samtidskunsten’ by Stina Hasse J\u00f8rgensen in Terr\u00e6n. Veje ind i samtidskunsten,  edited by Camma Juel Jepsen, Rasmus Kj\u00e6rboe, Sine Krogh og Martin S\u00f8berg, Aarhus Universitetsforlag, 2019, ISBN: 9788771248791<\/p>\n

\"\"
Omsorg og Sk\u00f8desl\u00f8shed<\/a> Exhibition text by Pernille Zidore Nygaard in connection with Nanna Lyshold Hansen – Dura Mater, November 2018, IDOART.DK<\/p>\n<\/p>\n\n\n<\/p>\n

\"\"<\/figure>\n

\n\n\n

New Tactics – moving into a soft field\u2019 published by Galleri Image<\/span><\/a><\/span> edited by Kirstine Autzen<\/span><\/a><\/span> and Beate Cegielska<\/span><\/a><\/span> interviews with Geoffrey Batchen, Valerie Collart, Nanna Lysholt Hansen, Sandra Vaka Olsen, Kristoffer \u00d8rum.<\/p>\n<\/p>\n

\"\" “Det postfotografiske billede \u2013 n\u00e5r fotografi og krop flyder sammen”, By Kirstine Autzen and Nanna Freja Simonsen, Kunsten.nu interview, 6 September 2018 https:\/\/kunsten.nu\/journal\/det-postfotografiske-billede-naar-fotografi-og-krop-flyder-sammen\/<\/a><\/p>\n

  <\/pre>\n


<\/pre>\n
\"\"<\/a>
Response, I:Project Space, Beijing, conversation with\/text by Louise Steiwer, 20.6.2018 Kopenhagen Magasin<\/a><\/figcaption><\/figure>
\n
\"\"<\/a>
\u2019Kalder alle fremtidens d\u00f8tre\u2019 review of live performance Dear Daughter\/Anatomy of the Chthulucene, Ida Marie Hede, 25.05.2018, Dagbladet Information<\/a><\/figcaption><\/figure>
\n
\"\"<\/a>
\u2018Udstilling genfortryller forestillingen om en verden uden diskrimination\u2019  review by Ida Marie Hede, 13.3 2018, Dagbladet Information<\/a><\/figcaption><\/figure><\/p>\n
\"\"\nThe Antipodes of My Body\n\nRob Churm, Nanna Lysholt Hansen, Maria Meinild\nVermilion Sands, Copenhagen\n10.12.2017 - 27.01.2018\n\nhttp:\/\/kopenhagen.dk\/artguide\/single\/article\/the-antipodes-of-my-body\/<\/a><\/pre>\n
\"\"<\/a>
\u2018TO BE ONE IS ALWAYS TO BECOME WITH MANY\u2019, conversation with\/text by Callum Ross, January 2017 , I DO ART<\/a><\/figcaption><\/figure>\n
\"\" \u2018Nanna Lysholt Hansen – Dear Daughter:Anatomy of the Chthulucene\u2019 review by Mette Garfield, Teater1 Magazine, December 2016<\/a><\/span><\/p>\n
\"\"<\/p>\n
\u2018Lydkunst #10: Cyborg – Nanna Lysholt Hansen p\u00e5 Kulstof 15, article and podcast on sound art by Line M\u00f8ller Lauritsen & Anne Neimann Clement, Kunsten.nu 11.11.2015<\/a><\/p>\n
\"\"\nTracing Double Other\nNanna Lysholt Hansen\nGalleri Vasli Souza, Malmo\n12.08.2017 - 09.09.2017\nhttp:\/\/kopenhagen.dk\/artguide\/single\/article\/tracing-double-other\/<\/a><\/pre>\n
\"\"<\/p>\n
\u2018Jeg t\u00e6nker min krop som en skulptur\u2019, <\/span>Birgitte Kj\u00e6r, Politiken, 23.08.2016<\/span><\/a><\/p>\n
\"\"<\/a>
\u2018Nanna Lysholt Hansen-Dear Mary, review by Kathrine B\u00f8rlit in Kopenhagen Magasin, 16.10.2015 Kopenhagen.dk<\/a><\/figcaption><\/figure>\n
\"\" \u2018Ugens Kunstner – Nanna Lysholt Hansen\u2019, <\/span>Kit Vatit Jensen, Kunsten.nu  15 April 2015<\/span><\/a><\/p>\n
\"\"<\/p>\n
‘Med k\u00e6rlig indlevelse’,  review by Rune Gade, 28.11.2014, Dagbladet Information<\/a><\/p>\n
\"\" \u2018En fotografisk og performativ unders\u00f8gelse af Mary Willumsen\u2019<\/span>, Stine N\u00f8rgaard Lykkebo, Kunsten.nu, december 2014 <\/span><\/a><\/p>\n
\"\"<\/p>\n
\u2018Dear Mary (Steel) – Nanna Lysholt Hansen\u2019<\/span>, review by Mette Garfield, Teater1 Magazine, # 170, April 2015<\/span><\/p>\n
\"\u2018Nanna<\/a>
\u2018Nanna Lysholt Hansen – Dear Daughter \/ Motherboard Theories of Evolution Interview with Rie Hovmann Rasmussen, curator of \u2019Contingency of the Now\u2019 June 2014 Contingency of the Now<\/a><\/figcaption><\/figure>
\n
\"\"<\/a>
Interview about the Artist-Run platform NLHspace, 11.09.2014 , \u03a4emporary Art Review<\/a><\/figcaption><\/figure>
\n
\"\"
\u2018Performance Process – Nanna Lysholt Hansen\u2019, November 2014, Teater1 Magazine # 168<\/figcaption><\/figure>
\n
\"\"
\u2018Performance Process – Nanna Lysholt Hansen\u2019, November 2014, Teater1 Magazine # 168<\/figcaption><\/figure><\/p>\n
\"\"<\/p>\n
\u2018Nanna Lysholt Hansen – Miss no 1,2,3 #2\u2019, review by Mette Garfield in Teater1 Magazine, # 166, April 2014<\/span><\/p>\n
\"\"\"\"<\/p>\n
\u2018En kvinde i str\u00f8mpebukser kan ogs\u00e5 v\u00e6re en skulptur\u2019, Katrine Jo Andersen, Politiken I Byen 31.05.2013<\/p>\n
\"\"<\/p>\n
\u2018Afgang med orgeldr\u00f8n og sponsoreret rockwool\u2019 , Kristian Handberg, <\/span>www.kunsten.nu<\/a>, 14.06.2011<\/span><\/p>\n
https:\/\/kunsten.nu\/journal\/afgang-med-orgeldroen-og-sponseret-rockwool\/<\/p>","protected":false},"excerpt":{"rendered":"
Karin Hald, Ber\u00f8rt energi \u2013 Dura Mater af Nanna Lysholt Hansen, bastard ‘Performance and the Maternal’ , interview with Nanna Lysholt Hansen, 10 June 2020, by Dr Lena \u0160imi\u0107, https:\/\/performanceandthematernal.com\/ ‘Stemmernes politik i samtidskunsten’ by Stina Hasse J\u00f8rgensen in Terr\u00e6n. Veje ind i samtidskunsten,  edited by Camma Juel Jepsen, Rasmus Kj\u00e6rboe, Sine Krogh og Martin S\u00f8berg, … <\/p>\n
Continue reading “about”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-111","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nannalysholthansen.com\/index.php?rest_route=\/wp\/v2\/pages\/111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nannalysholthansen.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nannalysholthansen.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nannalysholthansen.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nannalysholthansen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=111"}],"version-history":[{"count":99,"href":"https:\/\/nannalysholthansen.com\/index.php?rest_route=\/wp\/v2\/pages\/111\/revisions"}],"predecessor-version":[{"id":3650,"href":"https:\/\/nannalysholthansen.com\/index.php?rest_route=\/wp\/v2\/pages\/111\/revisions\/3650"}],"wp:attachment":[{"href":"https:\/\/nannalysholthansen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}